 Performance
by an actor in a leading role |
| |
George Clooney in “Michael Clayton” (Warner
Bros.) |
| Daniel Day-Lewis in “There Will Be Blood” |
| Johnny Depp in “Sweeney Todd The Demon Barber
of Fleet Street” |
| Tommy Lee Jones in “In the Valley of Elah” |
| Viggo Mortensen in “Eastern Promises” |
| |
| Performance
by an actor in a supporting role |
| |
Casey Affleck in “The Assassination of Jesse
James by the Coward Robert Ford” |
| Javier Bardem in “No Country for Old Men” |
| Philip Seymour Hoffman in “Charlie Wilson’s
War” |
| Hal Holbrook in “Into the Wild” |
| Tom Wilkinson in “Michael Clayton” |
| |
| Performance
by an actress in a leading role |
| |
Cate Blanchett in “Elizabeth:
The Golden Age” |
| Julie Christie in “Away from
Her” |
| Marion Cotillard in “La Vie
en Rose” |
| Laura Linney in “The Savages” |
| Ellen Page in “Juno” |
| |
| Performance
by an actress in a supporting role |
| |
Cate Blanchett in “I’m
Not There” |
| Ruby Dee in “American Gangster” |
| Saoirse Ronan in “Atonement” |
| Amy Ryan in “Gone Baby Gone” |
| Tilda Swinton in “Michael Clayton” |
| |
| Best
animated feature film of the year |
| |
“Persepolis” |
| “Ratatouille” |
| “Surf's Up” |
| |
| Achievement
in art direction |
| |
“American Gangster” (Universal)
Art Direction: Arthur Max
Set Decoration: Beth A. Rubino |
“Atonement” (Focus Features)
Art Direction: Sarah Greenwood
Set Decoration: Katie Spencer |
“The Golden Compass” (New
Line in association with Ingenious Film Partners)
Art Direction: Dennis Gassner
Set Decoration: Anna Pinnock |
“Sweeney Todd The Demon Barber of Fleet
Street” (DreamWorks and Warner Bros.,
Distributed by DreamWorks/Paramount)
Art Direction: Dante Ferretti
Set Decoration: Francesca Lo Schiavo |
“There Will Be Blood” (Paramount
Vantage and Miramax)
Art Direction: Jack Fisk
Set Decoration: Jim Erickson |
| |
| Achievement
in cinematography |
| |
“The Assassination of Jesse James by
the Coward Robert Ford” Roger Deakins |
| “Atonement” Seamus McGarvey |
| “The Diving Bell and the Butterfly” Janusz
Kaminski |
| “No Country for Old Men” Roger
Deakins |
| “There Will Be Blood” Robert
Elswit |
| |
| Achievement
in costume design |
| |
“Across the Universe” Albert
Wolsky |
| “Atonement” Jacqueline Durran |
| “Elizabeth: The Golden Age” Alexandra Byrne |
| “La Vie en Rose” Marit Allen |
| “Sweeney Todd The Demon Barber of Fleet
Street” Colleen Atwood |
| |
| Achievement
in directing |
| |
“The Diving Bell and the Butterfly” Julian
Schnabel |
| “Juno” Jason Reitman |
| “Michael Clayton” Tony
Gilroy |
| “No Country for Old Men” Joel
Coen and Ethan Coen |
| “There Will Be Blood” Paul
Thomas Anderson |
| |
| Best
documentary feature |
| |
“No End in Sight” (Magnolia
Pictures)
A Representational Pictures Production
Charles Ferguson and Audrey Marrs |
“Operation Homecoming: Writing the Wartime
Experience” (The Documentary Group)
A Documentary Group Production
Richard E. Robbins |
“Sicko” (Lionsgate and
The Weinstein Company)
A Dog Eat Dog Films Production
Michael Moore and Meghan O’Hara |
“Taxi to the Dark Side” (THINKFilm)
An X-Ray Production
Alex Gibney and Eva Orner |
“War/Dance” (THINKFilm)
A Shine Global and Fine Films Production
Andrea Nix Fine and Sean Fine
|
| |
| Best
documentary short subject |
| |
“Freeheld”
A Lieutenant Films Production
Cynthia Wade and Vanessa Roth |
“La Corona (The Crown)”
A Runaway Films and Vega Films Production
Amanda Micheli and Isabel Vega |
“Salim Baba”
A Ropa Vieja Films and Paradox Smoke Production
Tim Sternberg and Francisco Bello |
“Sari’s Mother” (Cinema
Guild)
A Daylight Factory Production
James Longley |
| |
| Achievement
in film editing |
| |
“The Bourne Ultimatum” (Universal)
Christopher Rouse |
| “The Diving Bell and the Butterfly” (Miramax/Pathé
Renn) Juliette Welfling |
| “Into the Wild” (Paramount
Vantage and River Road Entertainment) Jay Cassidy |
| “No Country for Old Men” (Miramax
and Paramount Vantage) Roderick Jaynes |
| “There Will Be Blood” (Paramount
Vantage and Miramax) Dylan Tichenor |
| |
| Best
foreign language film of the year |
| |
“Beaufort” A
Metro Communications, Movie Plus Production
Israel |
| “The Counterfeiters” An
Aichholzer Filmproduktion, Magnolia Filmproduktion Production
Austria |
| “Katyń” An
Akson Studio Production
Poland |
| “Mongol” A
Eurasia Film Production
Kazakhstan |
| “12” A
Three T Production
Russia |
| |
| Achievement
in makeup |
| |
“La Vie en Rose” (Picturehouse)
Didier Lavergne and Jan Archibald |
| “Norbit” (DreamWorks,
Distributed by Paramount) Rick Baker and Kazuhiro Tsuji |
| “Pirates of the Caribbean: At World’s
End” (Walt Disney)
Ve Neill and Martin Samuel |
| |
| Achievement
in music written for motion pictures (Original score) |
| |
“Atonement” (Focus Features)
Dario Marianelli |
| “The Kite Runner” (DreamWorks,
Sidney Kimmel Entertainment and Participant Productions,
Distributed by Paramount Classics) Alberto Iglesias |
| “Michael Clayton” (Warner
Bros.) James Newton Howard |
| “Ratatouille” (Walt Disney)
Michael Giacchino |
| “3:10 to Yuma” (Lionsgate)
Marco Beltrami |
| |
| Achievement
in music written for motion pictures (Original song) |
| |
“Falling Slowly” from “Once”
(Fox Searchlight)
Music and Lyric by Glen Hansard and Marketa Irglova |
“Happy Working Song” from “Enchanted”
(Walt Disney)
Music by Alan Menken
Lyric by Stephen Schwartz |
“Raise It Up” from “August
Rush”
(Warner Bros.)
Nominees to be determined
|
“So Close” from “Enchanted”
(Walt Disney)
Music by Alan Menken
Lyric by Stephen Schwartz |
“That’s How You Know” from “Enchanted”
(Walt Disney)
Music by Alan Menken
Lyric by Stephen Schwartz |
| |
| Best
motion picture of the year |
| |
“Atonement” (Focus Features)
A Working Title Production
Tim Bevan, Eric Fellner and Paul Webster, Producers |
“Juno” (Fox Searchlight)
A Dancing Elk Pictures, LLC Production
Lianne Halfon, Mason Novick and Russell Smith, Producers |
“Michael Clayton” (Warner
Bros.)
A Clayton Productions, LLC Production
Sydney Pollack, Jennifer Fox and Kerry Orent, Producers |
“No Country for Old Men” (Miramax
and Paramount Vantage)
A Scott Rudin/Mike Zoss Production
Scott Rudin, Ethan Coen and Joel Coen, Producers |
“There Will Be Blood” (Paramount
Vantage and Miramax)
A JoAnne Sellar/Ghoulardi Film Company Production
JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi,
Producers |
| |
| Best
animated short film |
| |
“I Met the Walrus”
A Kids & Explosions Production
Josh Raskin
|
“Madame Tutli-Putli” (National
Film Board of Canada)
A National Film Board of Canada Production
Chris Lavis and Maciek Szczerbowski |
“Même Les Pigeons Vont au Paradis (Even
Pigeons Go to Heaven)” (Premium Films)
A BUF Compagnie Production
Samuel Tourneux and Simon Vanesse |
“My Love (Moya Lyubov)” (Channel
One Russia)
A Dago-Film Studio, Channel One Russia and Dentsu Tec
Production
Alexander Petrov |
“Peter & the Wolf” (BreakThru
Films)
A BreakThru Films/Se-ma-for Studios Production
Suzie Templeton and Hugh Welchman
|
| |
| Best
live action short film |
| |
“At Night”
A Zentropa Entertainments 10 Production
Christian E. Christiansen and Louise Vesth |
“Il Supplente (The Substitute)” (Sky
Cinema Italia)
A Frame by Frame Italia Production
Andrea Jublin |
“Le Mozart des Pickpockets (The Mozart
of Pickpockets)” (Premium Films)
A Karé Production
Philippe Pollet-Villard |
“Tanghi Argentini” (Premium
Films)
An Another Dimension of an Idea Production
Guido Thys and Anja Daelemans |
“The Tonto Woman”
A Knucklehead, Little Mo and Rose Hackney Barber Production
Daniel Barber and Matthew Brown |
| |
| Achievement
in sound editing |
| |
“The Bourne Ultimatum” (Universal)
Karen Baker Landers and Per Hallberg |
“No Country for Old Men” (Miramax
and Paramount Vantage)
Skip Lievsay |
“Ratatouille” (Walt Disney)
Randy Thom and Michael Silvers |
“There Will Be Blood” (Paramount
Vantage and Miramax)
Matthew Wood |
“Transformers” (DreamWorks
and Paramount in association with Hasbro)
Ethan Van der Ryn and Mike Hopkins |
| |
| Achievement
in sound mixing |
| |
“The Bourne Ultimatum” (Universal)
Scott Millan, David Parker and Kirk Francis |
“No Country for Old Men” (Miramax
and Paramount Vantage)
Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland |
“Ratatouille” (Walt Disney)
Randy Thom, Michael Semanick and Doc Kane |
“3:10 to Yuma” (Lionsgate)
Paul Massey, David Giammarco and Jim Stuebe |
“Transformers” (DreamWorks
and Paramount in association with Hasbro)
Kevin O’Connell, Greg P. Russell and Peter J. Devlin |
| |
| Achievement
in visual effects |
| |
“The Golden Compass” (New
Line in association with Ingenious Film Partners)
Michael Fink, Bill Westenhofer, Ben Morris and Trevor
Wood
|
“Pirates of the Caribbean: At World’s
End” (Walt Disney)
John Knoll, Hal Hickel, Charles Gibson and John Frazier |
“Transformers” (DreamWorks
and Paramount in association with Hasbro)
Scott Farrar, Scott Benza, Russell Earl and John Frazier |
| |
| Adapted
screenplay |
| |
“Atonement” (Focus Features)
Screenplay by Christopher Hampton |
“Away from Her” (Lionsgate)
Written by Sarah Polley |
“The Diving Bell and the Butterfly” (Miramax/Pathé
Renn)
Screenplay by Ronald Harwood
|
“No Country for Old Men” (Miramax
and Paramount Vantage)
Written for the screen by Joel Coen & Ethan Coen
|
“There Will Be Blood” (Paramount
Vantage and Miramax)
Written for the screen by Paul Thomas Anderson |
| |
| Original
screenplay |
| |
“Juno” (Fox Searchlight)
Written by Diablo Cody |
“Lars and the Real Girl” (MGM)
Written by Nancy Oliver |
“Michael Clayton” (Warner
Bros.)
Written by Tony Gilroy |
“Ratatouille” (Walt Disney)
Screenplay by Brad Bird
Story by Jan Pinkava, Jim Capobianco, Brad Bird |
“The Savages” (Fox Searchlight)
Written by Tamara Jenkins |
| |
